Showing posts with label Culture and Society. Show all posts
Showing posts with label Culture and Society. Show all posts

Thursday, September 21, 2017

The usual me...not

Ever so often, I disappear. I vanish, without a trace. And allow this space to collect the virtual cobwebs. And with the same brazen abruptness, I make a sudden appearance, and catch you in the middle of something. And feign a casual air about the long and awkward silence I often subject this place to. I act like all this is normal – this coming and going. But I return, because I am assured that these erratic visits have become a part of a ritual now. An unspoken bond that you and I have formed. An understanding - that doesn’t demand any explaining. An assurance - that thrives on the knowledge that, ‘life’ comes in the way, and focus, like other things, gets pushed away. So with that score settled, here is another attempt to keep the words flowing...to keep the story going.

I remember last time I left you with me gushing over a movie that I had immensely liked. That was roughly two months ago. I must have enjoyed it so much that I saw to it that the word spreads steadily around. Particularly because the movie had not made it to the tier one cities in India. And that information had killed me. And I passed on the ‘link’ (horror!) to the film like I was getting paid for it. And I remember I chuckled with satisfaction when friends left notes saying that they had watched the film based on my review, and had really liked it. And then I seem to have forgotten all about it, and drifted to other things, and abandoned this space yet another time with a callousness that comes so naturally to me. And even if I take solace in knowing that this sporadic blogging is a common trait with our brood, I do feel obliged to do some explaining.

So what kept me busy all this while you ask? I really wish I had an answer as impressive as my vanishing acts, but alas! I would have to disappoint you, and say that, my life continues to be as sedated as the last time you checked on me. Expect that, I went out quite a bit (strictly by my standards), stuffed my face with all kind of food, met with new people, got invited for dinners, made dinner plans, some guests visited, retail therapy ruled the roost, read some great books that I had picked at a dream book-sale, some of my potted plants survived the summer, some couldn’t withstand the severe spread of a powdery fungus that took the life out of my chilies and tomatoes. And my heart bled and wept while giving them a funeral when I finally let them go. I took part in festivals I had never been part of before, and then, I even wrote a little, scribbled rather, every now and then. Wrote full-fledged book reviews.  Now that was progress in my book. Because it turned out to be lot different from reviewing manuscripts as an Editor at some point in my life. And demanded lot more patience than writing a quick Goodreads review which I had done ample times. And I took to Twitter to share them because I needed closure (and validation).  But was too chicken to share it on this platform. But what I hadn’t expected was to stumble upon an amazing world of bloggers over Twitter, that gave me access to a thriving world of creative writers. Witnessing this tribe encourage each other with writing prompts and story ideas was inspiring to say the least. This seemed to have done wonders for me, it kept me focused and got me into a reading and writing cycle. Occasional frustration with writing was natural, particularly when there were huge lapses between the first and the last chapter of a book I was reading, thanks to duty-calls. But I was just grateful for my days falling into a routine where I was more productive than usual. More importantly, I could shut out nursery rhymes on loop, and keep hazardous cups of imaginary tea from my girl’s pantry at bay. It was like I was growing wings, and was about to fly!


Everything looked bright and sunny till the month of August made its grand entry. And as you know it, August translates to Birthdays, and Birthdays mean August in my life. Hence without saying much, you understand that the pattern I had fallen into started to fizzle out even before I could fully embrace it, and got replaced with ‘chaos’ and ‘planning’ (of all kinds) for the daughter’s second birthday, that was leading up to be the friends’ reunion party too. The celebration went on for two weeks. The holiday weekend following the birthday weekend made room for a longish party. And goes without saying, there was not a single dull moment to kick my feet up on a chair, and recap the events in my head that whizzed by like snapshots. Towards the end of the second weekend, when the last guests were saying their goodbyes, entered an unexpected guest from the backyard door - Hurricane Irma. ‘Hurricane August’ was not enough apparently. And in a matter of a day, leaving everything behind as they were (scattered), we fled for our lives as evacuation warnings started to buzz in the state of Florida, and drove across three states in search of a safe haven. And when things had normalized, we got back to base, and heaved a sigh of relief to find that the house was in one piece. And the next day my brother and sis-in-law dropped by on their way back from a vacay. And we realized the holiday mood got extended by two more days. So you get that saying my hands were full last few days would be a gross understatement. And you do realize that I am bursting at my seams with stories that you wouldn’t hear the end of. But for now, this will have to do. In between the madness, I made two trips to the movie theatre too. A big bold event in my motherhood calendar. Both turned out to be mediocre movies, but that was hardly my concern. This was baby girl’s first ever theatre visit, and I was on my seat’s edge to run out lest she showed her true colors, and brought the roof down. But to her credit, she was most well-behaved, except singing ‘good-morning’ to her heart’s fill close to midnight, and glaring at the screen only when it would break into a song. I could go on and on, there’s so much to pour out, but I want you to come back for more. Till the next post then, adios amigos.


Friday, July 7, 2017

A Death in the Gunj - A Review



After waiting for almost over a month, I finally got to watch Konkona Sen Sharma's directorial debut, 'A Death in the Gunj’, and without a doubt, this is one of the most compelling films I have seen in a while. Its story is so intricately woven, and operates on so many levels, that I could pull out all my hair trying to explain it. But if a film has left me feeling this way, I must make an effort.

This film is set in the McCluskieganj of 1970s, and comfortably straddles between English, Hindi, and Bengali. It transports you to an era, when handwritten letters and trunk-calls were in fashion, and when holidays meant wandering in the woods, bonding over matches of chess and kabaddi, and even getting silly over summoning the dead spirits.

The story of A Death in the Gunj’, opens on a rather discordant note, with two people debating over the best possible way for a dead body to fit into the back of a car. With this gripping start, the director gently moves on to talk about the events that took place a week prior to this. And the screen breaks into a rickety blue ambassador beating down the broken roads of McCluskieganj. And it stops right infront of the rambling old house of Mr. and Mrs. Bakshi, played with characteristic flair by Om Puri and Tanuja. The arrival of Bobby, the old couples daughter, along with her husband and daughter, Nandu and Tani, lights up the family house on a cold December night. They are joined on this reunion by a younger cousin, Shutu, and old family friends, Vikram, Mimi, and Brian.

Soon this motely group of people break into the clamor of family bon-homie which is the backbone of every happy reunion. And the director does an impressive job of creating a camaraderie that is very relatable, where dialogues tumble over each other, with everyone talking enthusiastically at the same time. They soon immerse themselves into activities to while away time, and we are given a sneak-peek into their lives. But when this seemingly harmonious group of people are pitted against each other, friction creeps in, and breaks the deceptive harmony. And the tension gets heightened because of a calmness that runs through these events, and this infuses an element of eeriness in the story.

At the heart of A Death in the Gunj, is Shutu, played with an affable charm by Vikrant Massey. Hes the 23 year old cousin who finds himself unadjusted in the adult world. Not being able to survive a world filled with assured and confident adults, he seeks comfort in the company of Tani. A foil to Shutu’s character is Vikram (Ranvir Shorey), the brash and flamboyant family friend, whose arrival stirs up things as he rekindles his old spark with Mimi (Kalki Koechlin), the unapologetically free-spirited girl, whos every mans desire. With such contrasting characters, and extreme dynamics, sparks are bound to fly, and even before we know it, these situations take unexpected turns, and the characters suffer hurt and humiliation. And failing to handle this emotional upheaval, they go about hurting each other. For instance, Shutus insecurities are badgered by Nandu, through a seemingly innocent act of giving him driving lessons. And a fun match of kabaddi takes an ugly turn, with Vikram coming down heavily on Shutu to a point where he leaves him bleeding.

Although these incidents are a build-up towards Shutus story, each character has a significant role to play to carry the story forward, and they are given enough screen presence to shine. Of them all, Om Puri, who plays the goofy old Mr. Bakshi, who simply bobs in and out of scenes in his drunken stupor, is my personal favorite. Without saying or doing much, he carves a special place for his character in the film.

Adding up to all this, are the films soundtracks, that wonderfully enhance the changing climate of the story. Konkanas attention to detail is another thing that makes this film a riveting watch. Whether it is young Tani, touching the brides saree in admiration, while her mother pleads her to refrain from it, or a piece of paper slipping from under the leg of a chair, while two adults respond to their impulsive desires over a drunken night. Or Shutu, finding dried moths inside frayed pages of old family books, or a servant licking a ladle laden with pudding, this film excels in creating these moments that enrich its texture.
There is a scene in the film, where Shutu and Tani, in one of their many trails in the woods, set ablaze a fly with a magnifying glass. To me, this scene in a lot of way, is the essence of the film of looking at lifes foibles and frailties through a magnifying lens without fearing about its consequences.
In my unabashed display of admiration for the film, I had taken to twitter the other day, and there I found somebody saying that, this film should be made a mandatory watch in film schools. And I found myself agreeing with it. Because, if there is one thing that this film does, besides enthralling you, is that, it leaves you wondering about the ways in which this feat has been achieved. And then you are reminded of the fine actress that stands tall behind this remarkable director.






Sunday, July 2, 2017

Book Review: Anne Lamott's Perfectly 'Imperfect Birds'

I have just finished reading Anne Lamott's 'Imperfect Birds', and I am running short of words to describe how wonderful this book is. Although it does leave you feeling a little sad, pensive and brooding.

This novel begins with the line: 'There are so many evils that pull on our children'. With this very first  line the author skillfully pitches the story and prepares its readers for the events to unfold. This sense of foreboding that is expressed through the first line is the recurrent feeling  in the novel and in a way is the essence of the book.

'Imperfect Birds' is a story about a girl in her late teens who is addicted to drugs and alcohol and the struggle her parents endure to bring  her back to a normal life. So the world of 'Imperfect Birds' is naturally a  dark and despairing one. But not when Lamott, with her  compassionate and empathetic writing makes this book survive the grimness. Besides the author's great eye for detail, it is her  sense of dialogue writing too, that makes this book highly engaging. 

A novel that deals with the world of drug and alcohol abuse runs the risk of becoming repetitive with things going on in circles. But Lamott, by focusing on the psychological side of the menace, manages to keep the story lively and gripping. This book is particularly sensitive while dealing with the trials and tribulations of the parents, who are divided between their sense of duty and their unconditional love towards their daughter. The dichotomy of how much is too much, and how little is too less, in terms of their control over their daughter, is deftly dealt with, and is bound to resonate with every parent. 

It is not easy  to pull off a story where the protagonist is always on the wrong side of things. But when the same person manages straight As in school, weaves magic with her words, loves her parents despite feigning indifference, one cannot help but accept her for who she is. And this seems to be Lamott's masterstroke with which she shines in this novel. All her characters have shades of grey and all are flawed and dysfunctional in some way or the other. Just as the daughter is falling prey to the insidious world of addiction, the mother is shown to have a history of alcohol problem. And the author uses these layers to beautifully complicate the story to weave an intricate tale of complex human emotions. 

Even if one doesn't have access to this world Lamott so sensitively paints, the emotions explored in it are universal. And when such deep human emotions are expressed though a narrative that is so compelling, it lingers on long after one has finished reading the book. The author has a knack for saying the most profound things in utterly simple words. There are many captivating lines in the novel that make one pause, reflect and marvel. One such line that stayed with me is: 'Tattoos (are) psychic band-aids to cover the wounds.' 

At the end, a book that takes you through a gamut of emotions does not end with all loose ends tied up neatly. The novel ends on a hopeful note but leaves its readers wondering about the fates of these people. But either way, 'Imperfect  Birds' is a runaway winner for the perfectly imperfect world it creates and the way it leaves you feeling.